It’s been almost a decade since the #MeToo movement promised to bring abusers in Hollywood to account. I’ve watched with interest as films have interrogated the moment in the years since. In 2020, there was Promising Young Woman, in which Carey Mulligan played a woman hellbent on punishing those who get away with abuse. And in 2023, Women Talking focused on a group of American Mennonite women who meet to discuss their future after discovering a history of rape in the colony.
Sorry Baby, which won awards at this year’s Sundance Film Festival, joins this decade of conversation. The film follows Agnes (played by the film’s writer-director Eva Victor), an English professor at a small American college, in the aftermath of a sexual assault.
The story, based on Victor’s own experiences, is structured in non-linear chapters that encompass the time after, before and during the abuse. This makes for an unflinching yet nuanced depiction of trauma’s aftermath. As our reviewer argues: “Victor portrays her female characters in a broad light, not allowing them to be solely defined by trauma, and in doing so allows something truly authentic to emerge.”
Sorry Baby is in select cinemas now
Another film experimenting with non-linear storytelling this week is The Life of Chuck. It’s an adaptation of a novella by Stephen King. When I told our resident King expert, international affairs editor Jonathan Este, about the film, he was puzzled – surely, he asked, the structure of that story is unfilmable? But somehow, director Mike Flanagan makes it work.
Starring Tom Hiddleston, The Life of Chuck explores the formative moments of Charles “Chuck” Krantz, chronicled in reverse chronological order. But this is no Benjamin Button story. It’s a joyful adaptation that honours the King novella while bringing in nice touches of its own.
As Hiddleston – who gets to show off his dancing skills in the film – told the audience at a recent screening: “I think the most important word in the title of the film is the word ‘life’. This is a film about life.”
The Life of Chuck is in cinemas now
Now open at the Bowhouse in Fife, Making Waves; Breaking Ground brings together the work of 11 artists to explore the natural environments of our modern world. Spanning painting, photography and film, these artists share a commitment to pursuing a more compassionate way of looking and being in a place.
And the works are stunning. Photographs of flowers frozen in time in extreme close-up by Kathrin Linkersdorff. A painting by Susan Derges that at first appears to be the Moon surrounded by clouds, but soon morphs before your eyes to be its shimmering reflection in a scummy river, and then something stranger – the perspective of a creature below the surface. A trout’s-eye view of the night sky.
As our reviewer, art historian Alistair Rider explains, these artists “don’t see themselves as separate from the worlds they depict. Our seeing eyes, they suggest, are made of the same physical substances as the things they see.”
Making Waves; Breaking Ground is a free exhibition running until August 31 at the Bowhouse, St Monans, Fife
It’s a truth universally acknowledged that every arts and culture editor has a secret taste for terrible TV. Mine? Love is Blind. I’ve binged the American show – all eight seasons of it – but my real soft spot is for Love is Blind UK. The couples are a little older, a little less media-savvy and all the more entertaining for it.
What I love about this show is the central premise – testing the idea that two people can fall in love without seeing each other in the flesh. Or, as the show cloyingly puts it, fall in love “sight unseen”. With the second season streaming now, we asked a psychologist to tell us what the research says – is love truly blind?
Love is Blind UK is streaming on Netflix now
While I’m in a confessional mood, here’s another guilty pleasure of mine. In moments of overwhelm, I have been known to turn off my phone, curl up under a blanket and fire up my laptop for a marathon game of The Sims. In that life simulation game, I create mini avatars who decorate their houses, fall in love, make friends and steadily work their way up the career ladder.
Turns out I’m not alone. More and more gamers are spending their time playing virtual jobs over fantasy adventures. The latest offering is Tiny Bookshop, where players spend hours organising shelves, recommending novels and chatting with customers.
Is it a little dystopian to finish work and log straight in for a virtual shift in your favourite video game? Perhaps. But as creative industries expert Owen Brierley argues: “The next time someone questions why you’re wasting time managing a virtual bookshop, remind them you’re not escaping work. You’re experiencing what work could be. Voluntary. Meaningful. Genuinely productive.”
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